Well, according to the previous text, it is important to know what a person is, the type of person that exists, since we interact day by day but without having the concept well defined and in this way the comment breaks down the topic in more depth.
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Wow, this image really has so much to unpack! Looking at it, we can deeply sense the impact and the intensity of the scene.
First of all, let’s start with the top left corner. The sky is predominantly blue with some scattered white clouds, offering a stark contrast to the scene below. It’s almost poetic, a calm sky witnessing chaos on the earth. Then, moving our gaze downward, we see a large building that has suffered significant damage. Sections of the walls are missing, and debris is everywhere. We can see the magnitude of the destruction—broken windows, shattered glass, and piles of rubble hinting at the sheer violence that must have occurred here.
What stands out as well is the human element. There are several people in the scene. I notice one person in a blue shirt bending down, maybe interacting with the debris or lending a hand to another person. This small detail speaks volumes about compassion and recovery amidst the ruins. The ground itself is uneven, covered in dust and littered with pieces of broken concrete and other materials, painting a vivid picture of the aftermath.
A particularly powerful element is the variety of objects scattered around, like broken furniture. What once were personal belongings now lie in ruins, echoing the disruption of everyday life. And towards the bottom right corner, more people appear, some observing while others are actively engaged, possibly in clearing debris or searching for something. This speaks to a collective effort, a community trying to rebuild or find what remains.
Reflecting on Melisya’s Aunt Yasmine’s presence there, it makes us deeply conscious of the personal loss and the resilience of those affected. This image tells a story of destruction, but also of humanity and hope, of people uniting amidst adversity.
Thinking about it, what still lingers in my mind like an unresolved melody is the sense of how these people, amidst such devastation, find the strength to continue. What memories and emotions are they carrying with them, and how do they mentally reconstruct their lives from these shattered remnants? There is something profoundly humbling about witnessing such resilience and it beckons us to reflect on their courage and our shared humanity.
What thoughts or emotions does this evoke in us? Let’s delve into our collective response to this powerful image.
Certainly. I will describe the image for you in an objective manner.
Starting from the top left corner and moving towards the bottom right corner:
1. The sky is predominantly blue with some scattered white clouds.
2. There is a large building that appears to be damaged; sections of the walls are missing, and debris is visible.
3. The building has multiple floors, and some of the windows are broken or completely shattered.
4. On the ground near the building, there are piles of rubble and debris.
5. There are several people in the scene. Some are standing, others are sitting or crouching.
6. One person is wearing a blue shirt and appears to be bending down, possibly interacting with the debris or another person.
7. In the background, there are more buildings, some of which also appear to be damaged.
8. There are various objects scattered around, including what looks like broken furniture, pieces of concrete, and other construction materials.
9. The ground is uneven, covered with dust and small fragments of debris.
10. Towards the bottom right, more people are visible, some of whom seem to be observing the scene, while others are actively engaged in some activity, possibly clearing debris or searching.
This is a detailed, objective description of what can be observed in the image.
1. “On May 31 and June 1, 1921, in Tulsa, Oklahoma, mobs of white residents brutally attacked the African American community of Greenwood, colloquially known as ‘Black Wall Street,’ in the deadliest racial massacre in U.S. history.”
– Importance: This sentence sets the context for the image by highlighting the significance of the historical event—the Tulsa Race Massacre. Understanding this event is crucial to comprehending why the image holds such historical weight.
2. “Photo postcards of the Tulsa Race Massacre were widely distributed following the massacre in 1921.”
– Importance: This sentence reveals how the event was commercialized and suggests a sinister motive behind the production and distribution of these postcards—to assert white racial dominance and possibly to intimidate African Americans.
3. “Like postcards depicting lynchings, these souvenir cards were powerful declarations of white racial power and control.”
– Importance: This draws a parallel with other historical atrocities, such as lynchings, where similar tactics were used to reinforce racial hierarchies and terrorize Black communities. Understanding this parallel helps to grasp the oppressive intentions behind the creation of such postcards.
4. “Decades later, the cards served as evidence for community members working to recover the forgotten history of the riot and secure justice for its victims and their descendants.”
– Importance: This sentence shifts the perspective from the initial use of the postcards as tools of terror to their later role as historical evidence in the struggle for justice. It highlights the importance of preserving such artifacts for historical accountability and education.
Background Information:
To understand this text more deeply, several background topics need to be explored:
1. Tulsa Race Massacre: The event involved a large-scale attack on the prosperous Black neighborhood of Greenwood in Tulsa, Oklahoma, by mobs of white residents. Dozens, possibly hundreds, of African Americans were killed, their homes and businesses were destroyed, and thousands were left homeless. Knowing the details of this event helps contextualize the image and understand its historical impact.
2. Black Wall Street: This term refers to the Greenwood District, which was a highly successful and affluent African American community. Understanding its economic and cultural significance makes the violent destruction of Greenwood even more poignant.
3. History of Lynching Postcards: These postcards were used in a similar fashion—to glorify acts of racial violence and to intimidate and terrorize African Americans. Learning about these can show how such images were part of a broader pattern of racial terror in the United States.
4. Historical Preservation and Justice Movements: Understanding how historical artifacts are used in movements for justice and historical accountability can provide insight into why preserving such painful memories is essential for healing and education.
Suggested Resources for Background Reading:
1. Books:
– “The Burning: Massacre, Destruction, and the Tulsa Race Riot of 1921” by Tim Madigan
– “Death in a Promised Land: The Tulsa Race Riot of 1921” by Scott Ellsworth
2. Articles:
– “The Tulsa Race Massacre: 100 Years Later” by The New York Times
– “What the Archives Reveal about Tulsa’s Infamous 1921 Race Riot” by History.com
3. Documentaries:
– “Tulsa Burning: The 1921 Race Massacre” (History Channel)
– “The Legacy of the Tulsa Massacre” (PBS’s “The African Americans: Many Rivers to Cross”)
Re-engage and Reflect:
I invite you to revisit the text and the image, now armed with this deeper understanding of the historical context and significance. Perhaps there are additional details or questions that stand out upon re-reading. Feel free to share any new insights or thoughts that you have in a reply!
Created By
Unidentified
Owned By
Ross, J. Kavin, American
Date
1921
Medium
silver and photographic gelatin on photographic paper, with ink on paper
Dimensions
H x W: 3 7/16 × 5 7/16 in. (8.7 × 13.8 cm)
Caption
On May 31 and June 1, 1921, in Tulsa, Oklahoma, mobs of white residents brutally attacked the African American community of Greenwood, colloquially known as “Black Wall Street,” in the deadliest racial massacre in U.S. history. Amidst the violence, both white rioters and the Oklahoma National Guard rounded up black residents of Greenwood and forced them to detention centers. More than 6,000 African Americans were interned at the Convention Hall, the Tulsa County Fairgrounds, and the baseball stadium McNulty Park. Some were held for as long as eight days.
Photo postcards of the Tulsa Race Massacre were widely distributed following the massacre in 1921. Like postcards depicting lynchings, these souvenir cards were powerful declarations of white racial power and control. Decades later, the cards served as evidence for community members working to recover the forgotten history of the riot and secure justice for its victims and their descendants.
Description
A sepia-toned photographic postcard of National Guardsmen with a machine gun mounted on the back of a flat-bed truck on the streets of Tulsa, Oklahoma during the Tulsa Race Massacre. Several soldiers are on the back of the truck with the weapon, one standing and one kneeling to the left of the gun and one at the gun sight. Several other soldiers march next to the truck, backs to the camera. Other vehicles and soldiers are visible on the street in the background of the image. Written in white at the bottom of the image is [NATIONALGUARD / MACHINEGUNCREW / DURINGTULSARACERIOT 6-1-21]. The verso is marked [POSTCARD] at the top with spaces for [CORRESPONDENCE] and [ADDRESS] and an AZO stamp box in the top right corner.
Place Depicted
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Classification
Photographs and Still Images
Type
gelatin silver prints
photographic postcards
Topic
Communities
Military
Photography
Race relations
Race riots
Tulsa Race Massacre
U.S. History, 1919-1933
Violence
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Object Number
2011.175.11
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user. GUID http://n2t.net/ark
Starting Point (Top Left Corner):
- The top left corner starts with a section of a quilt-like border. The quilt is composed of small, patterned fabric squares.
- The colors here are primarily muted earth tones with hints of red, yellow, and green.
Moving Rightward Along the Top Edge:
- The quilt border continues, maintaining a consistent pattern and color scheme.
- Below this border, an outdoor scene unfolds.
Central Upper Section:
- The sky is a deep blue, transitioning into lighter shades of blue and white, suggesting a clear evening.
- Two human figures appear to be floating or flying in the sky. Their limbs are outstretched, and they are wearing casual, colorful clothing.
- The figures are outlined with bold lines and filled with bright colors.
Top Center to Top Right:
- The top right corner continues the quilt border, still composed of small, patterned squares.
- Below the border, more of the blue sky is visible with a few scattered stars.
Moving Downward from the Top Right:
- As we move down, we encounter the rooftop scene.
- There is a rectangular rooftop area with several people lounging or interacting in various ways.
- The rooftop is depicted with a grid-like pattern, indicating tiles or bricks.
- The figures are diverse in terms of age, gender, and posture. Some are lying down, others are seated, and a few are standing.
- The colors of their clothes are vibrant and varied, contrasting with the more subdued tones of the rooftop.
Middle Section:
- The rooftop is bordered by a low wall, beyond which the cityscape extends.
- Buildings are depicted with simple geometric shapes and flat colors.
- Windows are represented by small rectangles, some illuminated and others dark.
Moving Further Downward:
- More human figures appear, engaged in various leisurely activities.
- There is a table with food items and a few chairs around it.
- A child is seen flying a kite, which extends into the sky above.
Bottom Section:
- The bottom part of the image continues the quilt border pattern, completing the frame.
- The quilt squares here are consistent with the ones seen at the top, maintaining the same color palette and patterns.
Final Point (Bottom Right Corner):
- The bottom right corner finishes the journey with the last section of the quilt border.
- The overall scene captures a sense of community and leisure on a city rooftop, framed by the intricate quilt border that adds a sense of warmth and continuity.
The painting uses bright, engaging colors and a mix of realistic and fantastical elements to depict a vibrant urban scene. The quilt border adds a tactile, homely feel to the composition, emphasizing themes of family and community.
1. First Painting:
– Title: Untitled
– Artist: Jean-Michel Basquiat
– Visual Elements:
– Background: Primarily white with patches of various colors.
– Colors: Predominantly black, red, yellow, and blue.
– Forms:
– Central figure resembling a human skull with exaggerated features.
– Various abstract shapes and squiggly lines.
– Text elements with phrases and words scattered throughout.
– Several areas of dense, chaotic line work.
– Composition: The painting has a dynamic, almost frenetic feel due to the overlapping shapes and lines.
2. Second Painting:
– Title: Noon
– Artist: Joan Mitchell
– Visual Elements:
– Background: Largely white, though it is less prominent due to the dense application of paint.
– Colors: Dominated by blue, green, yellow, and hints of red.
– Forms:
– Abstract, non-representational shapes and strokes.
– Brushstrokes are broad and appear layered.
– Paint is applied thickly in some areas, creating texture.
– No discernible text or figurative elements.
– Composition: The painting feels balanced despite the seemingly random placement of colors and strokes. There is a sense of depth created by the layering of paint.
Comparison:
- Color Use:
– Both paintings use vivid colors, but Basquiat’s work has more contrast with stark black lines and text, whereas Mitchell’s has a softer, more blended palette.
- Form and Structure:
– Basquiat’s painting includes recognizable forms (like the skull) and text, creating a more narrative or symbolic structure.
– Mitchell’s painting is entirely abstract, focusing on the interplay of color and texture without representing specific objects.
- Texture and Technique:
– Basquiat’s work includes sharp lines and clear figures, with a mix of chaotic and controlled elements.
– Mitchell’s work is characterized by thick, expressive brushstrokes and a textured surface.
- Overall Impression:
– Basquiat’s painting feels more intense and confrontational due to its use of figures and text.
– Mitchell’s painting feels more harmonious and immersive, with a focus on the physicality of the paint itself.
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The image from the provided URL shows a historical reenactment scene from the 2019 TV series “Watchmen.” This particular scene depicts the Tulsa Race Massacre, a tragic event that occurred in 1921 in the Greenwood District of Tulsa, Oklahoma, an affluent African American community also known as “Black Wall Street.”
In the image, we can see:
People running in panic, indicating chaos and violence.
Buildings on fire, reflecting the widespread arson that destroyed homes and businesses.
Smoke and debris in the air, enhancing the sense of destruction and terror.
Historical Context and Accuracy
The Tulsa Race Massacre began on May 31 and ended on June 1, 1921. It was one of the most severe incidents of racial violence in U.S. history. Here’s how the image reflects the historical facts:
Destruction of Greenwood: The image captures the destruction of a prosperous Black community. During the massacre, a white mob attacked Greenwood, looting and burning homes, businesses, schools, and churches. The fires in the image symbolize this devastation.
Violence and Panic: The chaos and fleeing individuals reflect the terror experienced by the residents. Many were killed, and thousands were left homeless. The depiction of people in distress accurately portrays the violence and fear.
Racial Tension: The massacre was a result of deep-seated racial tensions and jealousy towards the economic success of the Black community in Greenwood. The image, by showing the destruction and fear, indirectly highlights the racial animosity of the period.
The reenactment in “Watchmen” aims to bring awareness to a historically significant event that was largely ignored or downplayed in history books for many years. The series uses this historical context to explore themes of racial injustice, systemic racism, and the lasting impact of such events on American society.
What is seen in this image? How does the image reflect the truth or facts of the time?
ChatGPT
The image from the Atlantic article shows a depiction of the Tulsa Race Massacre, also known as the Tulsa Race Riot of 1921. This event took place in the Greenwood District of Tulsa, Oklahoma, which was a prosperous African American community known as “Black Wall Street.”
What is seen in the image:
Destruction and Fire: The image likely shows buildings on fire, smoke billowing into the sky, and possibly ruins or wreckage. This visual representation aligns with the historical fact that a large part of Greenwood was destroyed by fire.
Chaos and Panic: The scene may depict people running or in distress, capturing the chaos that ensued during the massacre.
Historical Context: Elements in the image, such as clothing styles or architecture, can provide context for the early 20th century, when the event occurred.
Reflection of Truth or Facts:
Destruction: The image reflects the actual destruction of over 35 city blocks, including homes, businesses, and churches, which were burned down during the massacre.
Violence: It represents the violent nature of the event, where a white mob attacked the African American community, resulting in the deaths of an estimated 100 to 300 people.
Economic Impact: The devastation of the thriving Black Wall Street, which was a symbol of African American economic success, highlights the racial tensions and the impact of white supremacy at the time.
Historical Suppression: For many years, the events of the Tulsa Race Massacre were omitted from history books and not widely acknowledged, reflecting a broader pattern of ignoring or downplaying racial violence in American history.
Overall, the image is a powerful visual representation of one of the most violent and devastating race riots in American history, capturing the horror and destruction faced by the Black community in Tulsa during that period.
Reporter’s Log: The Underbelly of the American Dream
Tulsa, Oklahoma, June 2, 1921**
As your humble scribe, tasked with unveiling the pestilent truths buried beneath the veneer of our so-called Roaring Twenties, I pen these words with a heart heavy and an inkpot brimming with sorrow and rage. Before my eyes lies not just a scene but a verse from the necromantic scriptures of purgatory—etched into our collective memory as the Tulsa Race Massacre.
Imagine, dear reader, a night where the moon refuses to shine its pale luminosity upon us, as if the heavens themselves are ashamed of the spectacle unfolding beneath their celestial gaze. Greenwood District, once a flourishing cradle of African-American enterprise, lies besieged by infernal forces of racial malevolence. The ghosts of this blackened paradise whisper tales of prosperity that once defied the chains of societal segregation. Alas, these whispers are drowned by the deafening symphony of crackling flames and thrumming chaos.
From my vantage point, I see the once-gleaming edifices of Black Wall Street, bastions of ambition and aspiration, now reduced to skeletal remains marred by soot and cinders. The air is a noxious miasma of smoke, asphyxiating and ominous, carrying with it the acrid scent of dreams thus cruelly incinerated.
The human figures dominate the centerpiece of this grim portrait. Their faces, contorted by mortal dread, are fettered in the raw ferocity of the moment. Men, stripped of dignity, clutch their kinfolk close, their eyes ablaze not with hope but with a desperate plea for survival. Women, the stalwart keepers of hearth and home, now resemble fleeting phantoms as they navigate a labyrinth of ruin in search of sanctuary. Children, their innocence shattered, cling to their mothers, their cries piercing the thick veil of smoke, each wail a mournful lamentation for a lost future.
Skulk in the shadows, the villains of this diabolical opera. Their forms are encased in silhouettes—dark specters brandishing torches and firearms, agents of havoc driven by a delirium of supremacy. In their barbarity, they evoke not just individual malevolence but the institutionalized odium that festers in the sinews of this nation. These figures are the grotesque avatars of an era that revels in—as the saying goes—boundless optimism and unbridled capitalism, yet unabashedly tolerates this malignancy of racial hatred.
The stark dichotomy between the victims and their aggressors is a painful reminder of the systemic injustices that infect the marrow of our society. The massacre’s orchestration—an unspeakable leviathan of collective white rage—merely underscores the fragility of Black success in a land that promises equality but delivers inequity with brutal efficiency.
And so, what does this vivid tableau portend for us, the inheritors of such tremendous legacies of pain and perseverance? This image is not a relic to be relegated to dusty archives, but a clarion call echoing through the annals of time. It demands remembrance of those ravaged by intolerance and a relentless pursuit of justice for the progeny of their resilience.
This, dear readers, is not merely history confined to the yellowing pages of tomorrow’s textbooks but a searing testament to the cyclical nature of our collective amnesia and the enduring struggle for a just, equitable America. It is an image etched not just in black and white, but in the vivid, scorching hues of heart-wrenching human suffering and unparalleled bravery.
In the haunting image displayed, we bear witness to a powerful and poignant tableau from the violent and racially charged event that was the Tulsa Race Massacre of 1921. The scene is painted with chaotic brushstrokes of human suffering and systemic brutality. Buildings, once symbols of hope and prosperity in the prosperous Greenwood District, popularly known as “Black Wall Street,” smolder and crumble under the onslaught of hatred-fueled arson. The sky is a surreal canvas of acrid smoke and fiery embers, casting an eerie, almost apocalyptic glow upon the landscape.
The central focus of the image is the collective anguish and pervasive fear etched onto the faces of Black residents—men, women, and children—whose lives have been violently torn asunder. These figures, desperate and forlorn, scramble for safety amid the pandemonium, their forms mere silhouettes against the incandescent backdrop of flames. It’s clear from their hurried movements and expressions of terror that they’re grappling with the immediate, visceral knowledge of their vulnerability in a society that has turned its back on protecting them.
In the periphery, shadowy figures, likely the perpetrators of this violence, add to the darkness of the tableau. They are indistinct, almost ghostly, as if the weight of their actions has rendered them less than human, specters of hate and destruction. These antagonists represent the brutal reality of the time—a period saturated with racial intolerance, institutionalized injustice, and a brazen disregard for Black lives.
The image captures not just a historical moment, but a stark emblem of the systemic racism that permeated the early 20th century. It reflects the harsh truth of a society where progress and prosperity for Black Americans were continually undermined by the specter of white supremacy. The Tulsa Race Massacre, which saw the decimation of a thriving Black community by white mobs, was a devastating manifestation of this dark chapter in American history. The deliberate destruction of homes, businesses, and lives serves as a chilling reminder of the lengths to which hate and bigotry were deployed to suppress Black advancement and enforce racial hierarchies.
In essence, this image is not merely a photograph but a visceral chronicle—a searing indictment of an era’s profound injustices and a solemn testament to the resilience of those who lived through one of America’s bloodiest racial pogroms. It’s a reminder that the consequences of unchecked racism and violence ripple through time, demanding from us not only remembrance but a commitment to confront and rectify the enduring legacies of such traumas.
She wants to screem cry, there is a sharp rage coursing through her. But instead see doesn’t do that she tries to hold it together and pretend she s ok
Starting at the top left corner of the image, there is a predominantly white background with sporadic, dense areas of color. Moving slightly downwards, there are patches of blue and green brushstrokes. These strokes vary in thickness and direction, creating a sense of spontaneous movement.
As I proceed to the right, the blue and green marks continue, interspersed with occasional black lines. The colors and strokes appear layered, with some overlapping others. The white background remains visible through the gaps between the strokes.
Descending further towards the middle of the image, the density of brushstrokes increases. There are more frequent and bold applications of green and blue, with the introduction of some yellow and orange marks. These new colors add to the complexity of the composition. The strokes intersect and overlap, creating a textured appearance.
Moving horizontally across the middle section, the pattern of overlapping colors and strokes continues. The white background is less dominant here, as the colors cover more surface area. The arrangement of strokes remains dynamic, with no apparent uniform direction.
Approaching the bottom half of the image, the brushstrokes become even more concentrated. The green, blue, yellow, and orange colors are more vibrant and pronounced. There are also some red and purple marks appearing amidst the other colors. The strokes form a more intricate network, with varying lengths and thicknesses.
Continuing towards the bottom right corner, the density of colors and strokes remains high. The white background is still visible in some areas, but it is mostly obscured by the overlapping colors. The interplay of different colors and the energetic application of paint create a rich, textured surface.
Finally, reaching the bottom right corner, the colors and strokes are intensely concentrated. The white background is minimal here, with the vibrant colors dominating the space. The overall composition is an energetic and dynamic interplay of colors and brushstrokes, creating a complex and textured visual experience.
Starting at the top left corner, the image features a dark blue sky dotted with small white stars. The sky occupies the upper portion of the image. Below this, there is a bridge structure composed of multiple vertical towers connected by cables, painted in shades of gray and black. The structure appears intricate, with straight lines and geometric shapes forming the bridge.
Moving downward, we encounter a flat rooftop scene. The roof has a checkerboard pattern composed of red and white tiles. Scattered on the roof are several human-like figures. These figures vary in position; some are laying down while others are sitting or standing. Their clothing includes a mix of blue, red, yellow, and white hues, creating a diverse palette among the figures.
Adjacent to the figures, to the right, there is a rectangular object resembling a quilt or blanket. This object has a checkerboard pattern with alternating red and white squares, mirroring the tile pattern of the roof.
Further to the right, additional human-like figures are present, some standing and some sitting. These figures are also dressed in various colors, adding more visual interest and movement to the scene. Among the items scattered on the roof, there is a basket and a pair of shoes, adding to the sense of a lived-in space.
At the bottom of the image, several buildings dominate the scene. These buildings are colored in shades of brown and beige, with prominent black outlines defining their structure. The windows of the buildings emit light, indicated by yellow, orange, and white colors, suggesting that the interiors are illuminated.
Throughout the image, there is a consistent use of lines and patterns that contribute to a textured appearance. The color palette is rich, featuring dark blues, grays, reds, whites, yellows, and browns, providing a harmonious yet varied visual experience.
The image depicts a painting with a predominantly abstract composition. The background consists of a white canvas. There are various colors applied in an irregular and layered manner. There are prominent streaks and patches of blue, ranging from deep to lighter shades. In addition, there are areas of yellow, applied in a similar manner, with varying intensity. Green hues are present, interspersed among the blue and yellow. There are also hints of black and red, though they are less dominant compared to the other colors. The brushstrokes and application of paint appear energetic and spontaneous, with no discernible pattern or recognizable shapes. The overall impression is one of dynamic movement and a variety of colors interacting with each other on the canvas.
icons on the left to see existing comments.
White mobs shattered a gleam of Black accomplishment and security.
Well, according to the previous text, it is important to know what a person is, the type of person that exists, since we interact day by day but without having the concept well defined and in this way the comment breaks down the topic in more depth.
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Friday Night Funkin is a fantastic rhythm game with addictive gameplay and a killer soundtrack.
Civil servants have devoted their careers to serving their country and their retirement is a well-deserved reward. Ensuring that they are on a stable financial footing in retirement can help ease their worries and allow them to focus on their children’s education.
Quick Draw
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Wow, this image really has so much to unpack! Looking at it, we can deeply sense the impact and the intensity of the scene.
First of all, let’s start with the top left corner. The sky is predominantly blue with some scattered white clouds, offering a stark contrast to the scene below. It’s almost poetic, a calm sky witnessing chaos on the earth. Then, moving our gaze downward, we see a large building that has suffered significant damage. Sections of the walls are missing, and debris is everywhere. We can see the magnitude of the destruction—broken windows, shattered glass, and piles of rubble hinting at the sheer violence that must have occurred here.
What stands out as well is the human element. There are several people in the scene. I notice one person in a blue shirt bending down, maybe interacting with the debris or lending a hand to another person. This small detail speaks volumes about compassion and recovery amidst the ruins. The ground itself is uneven, covered in dust and littered with pieces of broken concrete and other materials, painting a vivid picture of the aftermath.
A particularly powerful element is the variety of objects scattered around, like broken furniture. What once were personal belongings now lie in ruins, echoing the disruption of everyday life. And towards the bottom right corner, more people appear, some observing while others are actively engaged, possibly in clearing debris or searching for something. This speaks to a collective effort, a community trying to rebuild or find what remains.
Reflecting on Melisya’s Aunt Yasmine’s presence there, it makes us deeply conscious of the personal loss and the resilience of those affected. This image tells a story of destruction, but also of humanity and hope, of people uniting amidst adversity.
Thinking about it, what still lingers in my mind like an unresolved melody is the sense of how these people, amidst such devastation, find the strength to continue. What memories and emotions are they carrying with them, and how do they mentally reconstruct their lives from these shattered remnants? There is something profoundly humbling about witnessing such resilience and it beckons us to reflect on their courage and our shared humanity.
What thoughts or emotions does this evoke in us? Let’s delve into our collective response to this powerful image.
Certainly. I will describe the image for you in an objective manner.
Starting from the top left corner and moving towards the bottom right corner:
1. The sky is predominantly blue with some scattered white clouds.
2. There is a large building that appears to be damaged; sections of the walls are missing, and debris is visible.
3. The building has multiple floors, and some of the windows are broken or completely shattered.
4. On the ground near the building, there are piles of rubble and debris.
5. There are several people in the scene. Some are standing, others are sitting or crouching.
6. One person is wearing a blue shirt and appears to be bending down, possibly interacting with the debris or another person.
7. In the background, there are more buildings, some of which also appear to be damaged.
8. There are various objects scattered around, including what looks like broken furniture, pieces of concrete, and other construction materials.
9. The ground is uneven, covered with dust and small fragments of debris.
10. Towards the bottom right, more people are visible, some of whom seem to be observing the scene, while others are actively engaged in some activity, possibly clearing debris or searching.
This is a detailed, objective description of what can be observed in the image.
I would definitely do a minilesson on multiple meaning words with this passage.
It is not a word they use in conversation. I would have the kids quickly amplify their voices/clapping to demonstrate and move on.
https://drive.google.com/file/d/1wpRM7DM0PomEDhvmEFgGLMYB55C9R1x1/view?usp=sharing
1. “On May 31 and June 1, 1921, in Tulsa, Oklahoma, mobs of white residents brutally attacked the African American community of Greenwood, colloquially known as ‘Black Wall Street,’ in the deadliest racial massacre in U.S. history.”
– Importance: This sentence sets the context for the image by highlighting the significance of the historical event—the Tulsa Race Massacre. Understanding this event is crucial to comprehending why the image holds such historical weight.
2. “Photo postcards of the Tulsa Race Massacre were widely distributed following the massacre in 1921.”
– Importance: This sentence reveals how the event was commercialized and suggests a sinister motive behind the production and distribution of these postcards—to assert white racial dominance and possibly to intimidate African Americans.
3. “Like postcards depicting lynchings, these souvenir cards were powerful declarations of white racial power and control.”
– Importance: This draws a parallel with other historical atrocities, such as lynchings, where similar tactics were used to reinforce racial hierarchies and terrorize Black communities. Understanding this parallel helps to grasp the oppressive intentions behind the creation of such postcards.
4. “Decades later, the cards served as evidence for community members working to recover the forgotten history of the riot and secure justice for its victims and their descendants.”
– Importance: This sentence shifts the perspective from the initial use of the postcards as tools of terror to their later role as historical evidence in the struggle for justice. It highlights the importance of preserving such artifacts for historical accountability and education.
To understand this text more deeply, several background topics need to be explored:
1. Tulsa Race Massacre: The event involved a large-scale attack on the prosperous Black neighborhood of Greenwood in Tulsa, Oklahoma, by mobs of white residents. Dozens, possibly hundreds, of African Americans were killed, their homes and businesses were destroyed, and thousands were left homeless. Knowing the details of this event helps contextualize the image and understand its historical impact.
2. Black Wall Street: This term refers to the Greenwood District, which was a highly successful and affluent African American community. Understanding its economic and cultural significance makes the violent destruction of Greenwood even more poignant.
3. History of Lynching Postcards: These postcards were used in a similar fashion—to glorify acts of racial violence and to intimidate and terrorize African Americans. Learning about these can show how such images were part of a broader pattern of racial terror in the United States.
4. Historical Preservation and Justice Movements: Understanding how historical artifacts are used in movements for justice and historical accountability can provide insight into why preserving such painful memories is essential for healing and education.
1. Books:
– “The Burning: Massacre, Destruction, and the Tulsa Race Riot of 1921” by Tim Madigan
– “Death in a Promised Land: The Tulsa Race Riot of 1921” by Scott Ellsworth
2. Articles:
– “The Tulsa Race Massacre: 100 Years Later” by The New York Times
– “What the Archives Reveal about Tulsa’s Infamous 1921 Race Riot” by History.com
3. Documentaries:
– “Tulsa Burning: The 1921 Race Massacre” (History Channel)
– “The Legacy of the Tulsa Massacre” (PBS’s “The African Americans: Many Rivers to Cross”)
I invite you to revisit the text and the image, now armed with this deeper understanding of the historical context and significance. Perhaps there are additional details or questions that stand out upon re-reading. Feel free to share any new insights or thoughts that you have in a reply!
Created By
Unidentified
Owned By
Ross, J. Kavin, American
Date
1921
Medium
silver and photographic gelatin on photographic paper, with ink on paper
Dimensions
H x W: 3 7/16 × 5 7/16 in. (8.7 × 13.8 cm)
Caption
On May 31 and June 1, 1921, in Tulsa, Oklahoma, mobs of white residents brutally attacked the African American community of Greenwood, colloquially known as “Black Wall Street,” in the deadliest racial massacre in U.S. history. Amidst the violence, both white rioters and the Oklahoma National Guard rounded up black residents of Greenwood and forced them to detention centers. More than 6,000 African Americans were interned at the Convention Hall, the Tulsa County Fairgrounds, and the baseball stadium McNulty Park. Some were held for as long as eight days.
Photo postcards of the Tulsa Race Massacre were widely distributed following the massacre in 1921. Like postcards depicting lynchings, these souvenir cards were powerful declarations of white racial power and control. Decades later, the cards served as evidence for community members working to recover the forgotten history of the riot and secure justice for its victims and their descendants.
Description
A sepia-toned photographic postcard of National Guardsmen with a machine gun mounted on the back of a flat-bed truck on the streets of Tulsa, Oklahoma during the Tulsa Race Massacre. Several soldiers are on the back of the truck with the weapon, one standing and one kneeling to the left of the gun and one at the gun sight. Several other soldiers march next to the truck, backs to the camera. Other vehicles and soldiers are visible on the street in the background of the image. Written in white at the bottom of the image is [NATIONAL GUARD / MACHINE GUN CREW / DURING TULSA RACE RIOT 6-1-21]. The verso is marked [POST CARD] at the top with spaces for [CORRESPONDENCE] and [ADDRESS] and an AZO stamp box in the top right corner.
Place Depicted
Tulsa, Tulsa County, Oklahoma, United States, North and Central America
Classification
Photographs and Still Images
Type
gelatin silver prints
photographic postcards
Topic
Communities
Military
Photography
Race relations
Race riots
Tulsa Race Massacre
U.S. History, 1919-1933
Violence
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Object Number
2011.175.11
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
GUID
http://n2t.net/ark
Certainly! Let’s follow the ant’s journey and describe the image from top left to bottom right.
Image Description:
- Title: Tar Beach 2
- Artist: Faith Ringgold
Starting Point (Top Left Corner):
- The top left corner starts with a section of a quilt-like border. The quilt is composed of small, patterned fabric squares.
- The colors here are primarily muted earth tones with hints of red, yellow, and green.
Moving Rightward Along the Top Edge:
- The quilt border continues, maintaining a consistent pattern and color scheme.
- Below this border, an outdoor scene unfolds.
Central Upper Section:
- The sky is a deep blue, transitioning into lighter shades of blue and white, suggesting a clear evening.
- Two human figures appear to be floating or flying in the sky. Their limbs are outstretched, and they are wearing casual, colorful clothing.
- The figures are outlined with bold lines and filled with bright colors.
Top Center to Top Right:
- The top right corner continues the quilt border, still composed of small, patterned squares.
- Below the border, more of the blue sky is visible with a few scattered stars.
Moving Downward from the Top Right:
- As we move down, we encounter the rooftop scene.
- There is a rectangular rooftop area with several people lounging or interacting in various ways.
- The rooftop is depicted with a grid-like pattern, indicating tiles or bricks.
- The figures are diverse in terms of age, gender, and posture. Some are lying down, others are seated, and a few are standing.
- The colors of their clothes are vibrant and varied, contrasting with the more subdued tones of the rooftop.
Middle Section:
- The rooftop is bordered by a low wall, beyond which the cityscape extends.
- Buildings are depicted with simple geometric shapes and flat colors.
- Windows are represented by small rectangles, some illuminated and others dark.
Moving Further Downward:
- More human figures appear, engaged in various leisurely activities.
- There is a table with food items and a few chairs around it.
- A child is seen flying a kite, which extends into the sky above.
Bottom Section:
- The bottom part of the image continues the quilt border pattern, completing the frame.
- The quilt squares here are consistent with the ones seen at the top, maintaining the same color palette and patterns.
Final Point (Bottom Right Corner):
- The bottom right corner finishes the journey with the last section of the quilt border.
- The overall scene captures a sense of community and leisure on a city rooftop, framed by the intricate quilt border that adds a sense of warmth and continuity.
The painting uses bright, engaging colors and a mix of realistic and fantastical elements to depict a vibrant urban scene. The quilt border adds a tactile, homely feel to the composition, emphasizing themes of family and community.
Let’s start with the first painting:
1. First Painting:
– Title: Untitled
– Artist: Jean-Michel Basquiat
– Visual Elements:
– Background: Primarily white with patches of various colors.
– Colors: Predominantly black, red, yellow, and blue.
– Forms:
– Central figure resembling a human skull with exaggerated features.
– Various abstract shapes and squiggly lines.
– Text elements with phrases and words scattered throughout.
– Several areas of dense, chaotic line work.
– Composition: The painting has a dynamic, almost frenetic feel due to the overlapping shapes and lines.
2. Second Painting:
– Title: Noon
– Artist: Joan Mitchell
– Visual Elements:
– Background: Largely white, though it is less prominent due to the dense application of paint.
– Colors: Dominated by blue, green, yellow, and hints of red.
– Forms:
– Abstract, non-representational shapes and strokes.
– Brushstrokes are broad and appear layered.
– Paint is applied thickly in some areas, creating texture.
– No discernible text or figurative elements.
– Composition: The painting feels balanced despite the seemingly random placement of colors and strokes. There is a sense of depth created by the layering of paint.
Comparison:
- Color Use:
– Both paintings use vivid colors, but Basquiat’s work has more contrast with stark black lines and text, whereas Mitchell’s has a softer, more blended palette.
- Form and Structure:
– Basquiat’s painting includes recognizable forms (like the skull) and text, creating a more narrative or symbolic structure.
– Mitchell’s painting is entirely abstract, focusing on the interplay of color and texture without representing specific objects.
- Texture and Technique:
– Basquiat’s work includes sharp lines and clear figures, with a mix of chaotic and controlled elements.
– Mitchell’s work is characterized by thick, expressive brushstrokes and a textured surface.
- Overall Impression:
– Basquiat’s painting feels more intense and confrontational due to its use of figures and text.
– Mitchell’s painting feels more harmonious and immersive, with a focus on the physicality of the paint itself.
According to the KrogerFeedback survey, which is available at https://krgerfeedback.store/ consumers who spend the time to complete the survey can receive an approval code good for a complimentary lunch at Krogerfeedback. Every month, Kroger holds a drawing known as KrogerFeedback. There are three $5,000 gift card winners and 300 $100 gift card winners.
The image from the provided URL shows a historical reenactment scene from the 2019 TV series “Watchmen.” This particular scene depicts the Tulsa Race Massacre, a tragic event that occurred in 1921 in the Greenwood District of Tulsa, Oklahoma, an affluent African American community also known as “Black Wall Street.”
In the image, we can see:
People running in panic, indicating chaos and violence.
Buildings on fire, reflecting the widespread arson that destroyed homes and businesses.
Smoke and debris in the air, enhancing the sense of destruction and terror.
Historical Context and Accuracy
The Tulsa Race Massacre began on May 31 and ended on June 1, 1921. It was one of the most severe incidents of racial violence in U.S. history. Here’s how the image reflects the historical facts:
Destruction of Greenwood: The image captures the destruction of a prosperous Black community. During the massacre, a white mob attacked Greenwood, looting and burning homes, businesses, schools, and churches. The fires in the image symbolize this devastation.
Violence and Panic: The chaos and fleeing individuals reflect the terror experienced by the residents. Many were killed, and thousands were left homeless. The depiction of people in distress accurately portrays the violence and fear.
Racial Tension: The massacre was a result of deep-seated racial tensions and jealousy towards the economic success of the Black community in Greenwood. The image, by showing the destruction and fear, indirectly highlights the racial animosity of the period.
The reenactment in “Watchmen” aims to bring awareness to a historically significant event that was largely ignored or downplayed in history books for many years. The series uses this historical context to explore themes of racial injustice, systemic racism, and the lasting impact of such events on American society.
What is seen in this image? How does the image reflect the truth or facts of the time?
ChatGPT
The image from the Atlantic article shows a depiction of the Tulsa Race Massacre, also known as the Tulsa Race Riot of 1921. This event took place in the Greenwood District of Tulsa, Oklahoma, which was a prosperous African American community known as “Black Wall Street.”
What is seen in the image:
Destruction and Fire: The image likely shows buildings on fire, smoke billowing into the sky, and possibly ruins or wreckage. This visual representation aligns with the historical fact that a large part of Greenwood was destroyed by fire.
Chaos and Panic: The scene may depict people running or in distress, capturing the chaos that ensued during the massacre.
Historical Context: Elements in the image, such as clothing styles or architecture, can provide context for the early 20th century, when the event occurred.
Reflection of Truth or Facts:
Destruction: The image reflects the actual destruction of over 35 city blocks, including homes, businesses, and churches, which were burned down during the massacre.
Violence: It represents the violent nature of the event, where a white mob attacked the African American community, resulting in the deaths of an estimated 100 to 300 people.
Economic Impact: The devastation of the thriving Black Wall Street, which was a symbol of African American economic success, highlights the racial tensions and the impact of white supremacy at the time.
Historical Suppression: For many years, the events of the Tulsa Race Massacre were omitted from history books and not widely acknowledged, reflecting a broader pattern of ignoring or downplaying racial violence in American history.
Overall, the image is a powerful visual representation of one of the most violent and devastating race riots in American history, capturing the horror and destruction faced by the Black community in Tulsa during that period.
Reporter’s Log: The Underbelly of the American Dream
Tulsa, Oklahoma, June 2, 1921**
As your humble scribe, tasked with unveiling the pestilent truths buried beneath the veneer of our so-called Roaring Twenties, I pen these words with a heart heavy and an inkpot brimming with sorrow and rage. Before my eyes lies not just a scene but a verse from the necromantic scriptures of purgatory—etched into our collective memory as the Tulsa Race Massacre.
Imagine, dear reader, a night where the moon refuses to shine its pale luminosity upon us, as if the heavens themselves are ashamed of the spectacle unfolding beneath their celestial gaze. Greenwood District, once a flourishing cradle of African-American enterprise, lies besieged by infernal forces of racial malevolence. The ghosts of this blackened paradise whisper tales of prosperity that once defied the chains of societal segregation. Alas, these whispers are drowned by the deafening symphony of crackling flames and thrumming chaos.
From my vantage point, I see the once-gleaming edifices of Black Wall Street, bastions of ambition and aspiration, now reduced to skeletal remains marred by soot and cinders. The air is a noxious miasma of smoke, asphyxiating and ominous, carrying with it the acrid scent of dreams thus cruelly incinerated.
The human figures dominate the centerpiece of this grim portrait. Their faces, contorted by mortal dread, are fettered in the raw ferocity of the moment. Men, stripped of dignity, clutch their kinfolk close, their eyes ablaze not with hope but with a desperate plea for survival. Women, the stalwart keepers of hearth and home, now resemble fleeting phantoms as they navigate a labyrinth of ruin in search of sanctuary. Children, their innocence shattered, cling to their mothers, their cries piercing the thick veil of smoke, each wail a mournful lamentation for a lost future.
Skulk in the shadows, the villains of this diabolical opera. Their forms are encased in silhouettes—dark specters brandishing torches and firearms, agents of havoc driven by a delirium of supremacy. In their barbarity, they evoke not just individual malevolence but the institutionalized odium that festers in the sinews of this nation. These figures are the grotesque avatars of an era that revels in—as the saying goes—boundless optimism and unbridled capitalism, yet unabashedly tolerates this malignancy of racial hatred.
The stark dichotomy between the victims and their aggressors is a painful reminder of the systemic injustices that infect the marrow of our society. The massacre’s orchestration—an unspeakable leviathan of collective white rage—merely underscores the fragility of Black success in a land that promises equality but delivers inequity with brutal efficiency.
And so, what does this vivid tableau portend for us, the inheritors of such tremendous legacies of pain and perseverance? This image is not a relic to be relegated to dusty archives, but a clarion call echoing through the annals of time. It demands remembrance of those ravaged by intolerance and a relentless pursuit of justice for the progeny of their resilience.
This, dear readers, is not merely history confined to the yellowing pages of tomorrow’s textbooks but a searing testament to the cyclical nature of our collective amnesia and the enduring struggle for a just, equitable America. It is an image etched not just in black and white, but in the vivid, scorching hues of heart-wrenching human suffering and unparalleled bravery.
In the haunting image displayed, we bear witness to a powerful and poignant tableau from the violent and racially charged event that was the Tulsa Race Massacre of 1921. The scene is painted with chaotic brushstrokes of human suffering and systemic brutality. Buildings, once symbols of hope and prosperity in the prosperous Greenwood District, popularly known as “Black Wall Street,” smolder and crumble under the onslaught of hatred-fueled arson. The sky is a surreal canvas of acrid smoke and fiery embers, casting an eerie, almost apocalyptic glow upon the landscape.
The central focus of the image is the collective anguish and pervasive fear etched onto the faces of Black residents—men, women, and children—whose lives have been violently torn asunder. These figures, desperate and forlorn, scramble for safety amid the pandemonium, their forms mere silhouettes against the incandescent backdrop of flames. It’s clear from their hurried movements and expressions of terror that they’re grappling with the immediate, visceral knowledge of their vulnerability in a society that has turned its back on protecting them.
In the periphery, shadowy figures, likely the perpetrators of this violence, add to the darkness of the tableau. They are indistinct, almost ghostly, as if the weight of their actions has rendered them less than human, specters of hate and destruction. These antagonists represent the brutal reality of the time—a period saturated with racial intolerance, institutionalized injustice, and a brazen disregard for Black lives.
The image captures not just a historical moment, but a stark emblem of the systemic racism that permeated the early 20th century. It reflects the harsh truth of a society where progress and prosperity for Black Americans were continually undermined by the specter of white supremacy. The Tulsa Race Massacre, which saw the decimation of a thriving Black community by white mobs, was a devastating manifestation of this dark chapter in American history. The deliberate destruction of homes, businesses, and lives serves as a chilling reminder of the lengths to which hate and bigotry were deployed to suppress Black advancement and enforce racial hierarchies.
In essence, this image is not merely a photograph but a visceral chronicle—a searing indictment of an era’s profound injustices and a solemn testament to the resilience of those who lived through one of America’s bloodiest racial pogroms. It’s a reminder that the consequences of unchecked racism and violence ripple through time, demanding from us not only remembrance but a commitment to confront and rectify the enduring legacies of such traumas.
She wants to screem cry, there is a sharp rage coursing through her. But instead see doesn’t do that she tries to hold it together and pretend she s ok
It has been going on for a long time
Gamifying sexual harassment so that it sounds fun and normal
Viv is ashamed
lucy is enraged “ASSHOLE”
stripped of power
Tactile imigary cold rough fingers on my waist
similes that reporposes the bumb and grab to the start of a fire
Starting at the top left corner of the image, there is a predominantly white background with sporadic, dense areas of color. Moving slightly downwards, there are patches of blue and green brushstrokes. These strokes vary in thickness and direction, creating a sense of spontaneous movement.
As I proceed to the right, the blue and green marks continue, interspersed with occasional black lines. The colors and strokes appear layered, with some overlapping others. The white background remains visible through the gaps between the strokes.
Descending further towards the middle of the image, the density of brushstrokes increases. There are more frequent and bold applications of green and blue, with the introduction of some yellow and orange marks. These new colors add to the complexity of the composition. The strokes intersect and overlap, creating a textured appearance.
Moving horizontally across the middle section, the pattern of overlapping colors and strokes continues. The white background is less dominant here, as the colors cover more surface area. The arrangement of strokes remains dynamic, with no apparent uniform direction.
Approaching the bottom half of the image, the brushstrokes become even more concentrated. The green, blue, yellow, and orange colors are more vibrant and pronounced. There are also some red and purple marks appearing amidst the other colors. The strokes form a more intricate network, with varying lengths and thicknesses.
Continuing towards the bottom right corner, the density of colors and strokes remains high. The white background is still visible in some areas, but it is mostly obscured by the overlapping colors. The interplay of different colors and the energetic application of paint create a rich, textured surface.
Finally, reaching the bottom right corner, the colors and strokes are intensely concentrated. The white background is minimal here, with the vibrant colors dominating the space. The overall composition is an energetic and dynamic interplay of colors and brushstrokes, creating a complex and textured visual experience.
Starting at the top left corner, the image features a dark blue sky dotted with small white stars. The sky occupies the upper portion of the image. Below this, there is a bridge structure composed of multiple vertical towers connected by cables, painted in shades of gray and black. The structure appears intricate, with straight lines and geometric shapes forming the bridge.
Moving downward, we encounter a flat rooftop scene. The roof has a checkerboard pattern composed of red and white tiles. Scattered on the roof are several human-like figures. These figures vary in position; some are laying down while others are sitting or standing. Their clothing includes a mix of blue, red, yellow, and white hues, creating a diverse palette among the figures.
Adjacent to the figures, to the right, there is a rectangular object resembling a quilt or blanket. This object has a checkerboard pattern with alternating red and white squares, mirroring the tile pattern of the roof.
Further to the right, additional human-like figures are present, some standing and some sitting. These figures are also dressed in various colors, adding more visual interest and movement to the scene. Among the items scattered on the roof, there is a basket and a pair of shoes, adding to the sense of a lived-in space.
At the bottom of the image, several buildings dominate the scene. These buildings are colored in shades of brown and beige, with prominent black outlines defining their structure. The windows of the buildings emit light, indicated by yellow, orange, and white colors, suggesting that the interiors are illuminated.
Throughout the image, there is a consistent use of lines and patterns that contribute to a textured appearance. The color palette is rich, featuring dark blues, grays, reds, whites, yellows, and browns, providing a harmonious yet varied visual experience.
The image depicts a painting with a predominantly abstract composition. The background consists of a white canvas. There are various colors applied in an irregular and layered manner. There are prominent streaks and patches of blue, ranging from deep to lighter shades. In addition, there are areas of yellow, applied in a similar manner, with varying intensity. Green hues are present, interspersed among the blue and yellow. There are also hints of black and red, though they are less dominant compared to the other colors. The brushstrokes and application of paint appear energetic and spontaneous, with no discernible pattern or recognizable shapes. The overall impression is one of dynamic movement and a variety of colors interacting with each other on the canvas.
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